Research

#FakeNews?

 

Zoka Coffee Roasting

Since the decision to remix my book from fiction to memoir, I’ve had to revisit my original outline. Starting over is annoying, but necessary – particularly in this case, because the type of content I’m creating is completely different than what I initially envisioned.

After several months of hunting, I have finally found a new Therapist. Round of applause: it literally took all summer, multiple visits, insurance conflicts, denials and then some, to find a suitable fit who happens to be in close proximity.  

Inside Zoka: Cornered.

Inside Zoka: Cornered.

She [I’m going back to a woman] will be the benefactor in helping me work through some of the core challenges I have come across while writing this book.

I’m incredibly excited [and undoubtedly nervous] to bust open the proverbial, “Pandora’s Box.”

I started the “information gathering” stage a couple of weeks back [if I’m being real, I tapped into this process months ago] – sitting down to, first just simply remember relevant events from 2012 – early 2018; basically, a large chunk of my post-college 20’s.

Journals, various relics [brain scans, medical bills, get-well cards], Facebook messages [I’ve talked about using those before: here, here and here ] all collected to be put in order:

What happened? When? Who was involved? Outcome? How did this lead to that?

I am my father’s daughter: like him, I keep everything. Honestly, I should probably scrap book this -ish. I’m far too lazy and not nearly nested enough to undertake that sort of project.

As I am at the coffee shop finishing up the timeline, I try not to tear up at the overwhelming memories that come to the surface. I repeat to myself [in the form of a mantra]: “you will not cry in public – knock it off!”  I’m moved by The Weeknd’s “Call Out My Name”, whispering from the Are&Be Spotify playlist. It ends and the track flips to Drake’s “In My Feelings” …can’t cry to that shit.


Remembering The Details: Flashback.

Names and in some cases, dates and events can be difficult to recall. I write as much as I can recapture from memory, in a way that makes sense for the scene [or…how I want that scene to be perceived]. At times, I’m unsure if I can trust my own mind, especially given the irony of having gone through a brain injury.

From Chapter 13, “On Information, Facts and Data,” Mary Karr provides her take:

“My own first drafts start with information, then I try to herd that information out of my head into a remembered or living scene. I often interview myself about how I came to an opinion. Then, rather than present an abstract judgement, I try to recreate how I came to that opinion,” [p.124].

I agree with her perspective, however, the idea of “interviewing” myself from scene-to-scene immediately invokes a visceral, emotional response, that has, in the past, pushed me away from doing this…

…hence why a Therapist is incredibly important as I move through this process.

Issalot, man. It really is.

I literally bring my laptop into sessions: we goin’ get this shit out. Don’t get it twisted, I make effective use of my time with her and take notes to refer to later.

What’s interesting to me, is trying to reconfigure people’s energy in my mind: conversations we would have, how they look, how they smell, phrases they would use or things they would say -- this is where technology and social media relics come in handy [because nobody is out here writing letters anymore…tuh!].

Karr suggests to, “try to find something singular and dramatic a person does, instead of just gluing on a label that limits meaning to present day fashion and won’t make sense fifty years hence,” [p.125].

ArtofMemoir.jpg

I distinctly remember my landlord who I lived with in St. Paul: she had an older brother out in Maryland; they owned the Minnesota house where I stayed. The two of them came into some money to restore the home and converted it into an apartment when their dead-beat Dad died and left them a stack.

My landlord was a mousey, woman in her early 30’s with a bad dye job, stringy hair and thin rimmed glasses. Her style came from Hot Topic – baggy jeans and band t-shirts – the stuff made of emo/pop punk acts of the late 90s/ early 2000s.

 Her behavior was very regressed – it’s like she never matured passed 17. Her brother was a few years younger but acted more of an adult then she did. She was both quiet and whiny – easily swindled into doing whatever we wanted her to.

She had a bizarre fascination with Japanese dolls and Nintendo video games; her room was lined with them. Together, we lived with several other people in a 2-story house, including a 50-something year old woman who slept on the sofa, chain smoked and didn’t pay rent. Back when I used to partake, I would bum cigs from her now and again.

Stories for days; that house was crazy.

Point is, I still have emails upon emails, texts stored in old phones and IMs to help bring the past to the present.

Sidebar: these are not items I’m using for retribution. Yes, I care and have my Therapist around to help work through those things, but it’s been 6 years. It’s not about seeking vengeance – it’s about understanding why what happened did, and how I can learn from it. There is a domino effect at play and I’m trying to find out at what point it got pushed.

Karr leaves us with this: “In any good memoir, the writer tries to meet the reader where she is by offering information in the way it is felt -- to reflect the writer’s inner values and cares either in clever linguistic form or dramatic scene,” [p.127].

My landlord was obsessed with Fallout Boy – I remember thinking, “you’re still listening to that?” I used to be into them…in High School. This was 2012. I graduated in 2006 and she was at least 32.

I was also kind of judge-y back then. Ha. In her defense, FOB had some bops.

Mood Music: Dance, Dance - Fallout Boy

Hardware For Your Hardwork.

 

Urban Bean Coffee

You know as well as I, that there are a million and one resources available to aid writers; we’ve certainly come a long way from the cave paintings of the Cro-Magnon era. 

If you asked me today, right now, what I’m using, I’d tell you:

  • My tried-and-true pen and paper [courtesy of Target].
  • Microsoft Office [thanks to the free passcode I got from my job].

While doing research for this post, I came across a number of “Top 10” lists of newly developed writing software and web based apps. Quite frankly, the information overload can be daunting.

Every year, it seems the listicles get longer and the software better, more efficient; trust me, your options are a plenty.

Depending on your needs, personal preferences, your style as a writer - there will be something on the proverbial menu that tickles your fancy.

Tell me what you want, what you really, really want?

I thought back to the time I spent apartment hunting: It would be my first time living alone. I had just scored my job in Advertising [Yay!] unfortunately, the Agency was all the way across town [Boo!].  My roommates were starting to penetrate my psyche in an unhealthy way, and I finally thought,

“Hey Girl.  You don’t have to do this: it’s time to get hell up out of here!”

Living with people is pretty much a no-go for me. Thinking about it as I write this, is giving me a rash...

It took me about 3 months to find a cozy little spot to call my own.  I went on a ton of tours, talked to a lot of property management companies – it was a big deal.

At the time, here were my deal breakers:

  • I didn’t want to spend more than $700.
  • It has to have favorable reviews.
  • I want to feel safe in the neighborhood. I sincerely don’t appreciate being shot at or hearing sirens in the middle of the night.
  • I need a garage. Period. These Minnesota winters are nothing to sneeze at. Ain’t NOBODY got time for dusting off snow at 7am on a Tuesday morning. Nope.
  • It has to be within 20 minutes or less from my job.
  • I would like to have wood floors [this didn’t happen].

I didn’t ask for much; my list wasn’t long.

Square Footage + Dishwashers + Cable Hookups: not important to me.

I wanted a piece of mind, independence and safety.

Much like my apartment list, I have a list of needs for my writing software:

  • Word Processor. Obviously.
  • Something to help me structure my story.
    • Scenes / Acts
    • Import / Export
  • Word count. I have to have a word count.
  • Spell check. I am a horrible speller. Really, I am.
  • Inexpensive. Free is great, but if I want to spend some coins, I don’t want to spend a ba-zillion.
  • Windows compatibility.

I recently downloaded Novel Factory’s creative writing software, which I find so delicious.

It’s priced at 39.99 – not bad. Likely, worth the investment for all of its features.

Read about it here.

I’d say it’s somewhat comparable to yWriter in that it allows you to organize and structure your novel.

The interface of Novel Factory is more modern and smooth, providing easy navigation  – yWriter looks and feels as if it were stuck in 1995.

Novel Factory also has a  bonus feature; the stats dashboard – similar to something you would find in SalesForce software - that helps you keep track of your novel’s progression.

Certainly useful for the planner within me – I don’t always want to free ball.

If that’s not your style, I can help you out: I found [2] really good articles of current software for writers; you’re going to love this:

Techradar has their own compilation / reviews of the best writing software for 2016.

The combination of web-based apps and downloadable tools can be found here.

Authorunlimited.com also has a fantastic lineup of paid + free tools available to use.

I starting etching out the first chapter of my novel on yWriter5 bout 4 months ago. 

Along with Black Betty, my laptop is also a P.O.S., so I had my genius sister wipe it for me on return visit to Iowa, A.K.A the motherland.

I saved all of my precious documents to a jump drive and let her take a stab at it, only to discover the documents I had saved on yWriter, didn’t actually save.

2,000 words of beautifully written prose...

Gone.

I was not happy at all.

It was my fault – although yWriter is free, for about $5 you can register your download.

Yeah. I didn’t do that. My bad. Hopefully, you're a bit smarter than me. 

Mood Music: Work - Rihanna

                                                                                                                                        

What A Girl Wants...What A Girl Needs...

 

Munkabeans Kitchen & Coffeehouse

I came to conclusion, that my novel will be categorized as…[drum roll please…]

Chick Lit.

I’m OK with this.  Ga’head and roll your eyes.

Initially, I was preparing to throw myself into the barrage of Y.A. that’s HOT right now, but nah.

No vampires or sophomoric love triangles here. I see no point in reliving that part of my life through fictional character narratives.

Yes, that one time at band camp, I had an affair with a vampire…

My girls [characters] are tad bit older and are dealing with …more “evolved” issues, I suppose.

Por Ejemplo:

I have one character [there are 7 principles] who married a man straight out of college to boost his immigration status [she loves him, c’mon!]. Said character moves halfway across the country to be with him - now she’s 24 [ish] and wants her freedom. He, on the other hand, is only a year [or so – I have to do more research on immigration laws] away from naturalization status and has a startling secret of his own that is revealed.

It’s going to get ugly.

Yeah.

There’s a lot of drinking, race, sex, unresolved family stuff, career crap, and overall poor decision making in the mix. Sprinkle in your basic “mental health issues” [anxiety/depression], maybe a couple of “interventions” and you’ve got yourself a post-adolescence crisis on your hands.

Melt Down City. Remember those?

I do. 

My ladies are between the ages of 19 – 52.

Year: 2008 [the era of the economic sh*t show. Fun times].

Setting: Some midsize city in the Midwest, which [in my humble opinion] makes my story more appealing and relatable, but less flashy.

There are a million chick lit novels set in LA, NYC, DC and other large metropolitan areas wrapping around the idea of “making it all happen in the big city.”

I’m over the Sex and The City… “thing”.

[Admittingly, it’s kind of fun to experience when you enter with an open mind. Not a desperate one].

This is also a multiracial / multigenerational cast.

Not because I felt like I had to “diversify my portfolio”, but because I actually experienced it as such. Legit. I didn’t just pull this out of my a** [well, some of it. I’m trying to avoid a future lawsuit – playing make-believe and tapping into my artistic bucket of bull, suits me well].

I also think it’s incredibly important in literature to steer away from conventional or stereotypical narratives when creating minority characters.

We are not a monolith.

Sure, there will be nuances that are specific to brown girls, but the major themes explored in the novel will penetrate through to any young woman in her 20’s / 30’s.

All across America we have 22, 23 -- 26 year olds pissed, pressed and seething about some guy who continues to give mixed messages – she continues to be obtuse. Everyone continues to be annoyed. Mistakes are made, feelings are hurt. Babies are created. Hilarity ensures. Or not.

Somehow, that uncertainty all boils down to the apprehensive, high-strung, too stressed, insecure fearful feeling of being directionless in life, unlovable, ugly and fat.

“I don’t know what I’m doing - No one will ever get me?!”

That’s all we want – someone to ‘get’ us. For ‘us’ to 'get us'.

We quickly Slip-N-Slide into that gross Dawson’s Creek/ Michael Jordan cry face [you know the memes I’m talking about], followed by the slow absorption of Cheese Whiz and Wheat Thins thrown  into our blood stream.

Personally, to get through my hard times, I like to have an IPod dance party with Prince [RIP].

Then pass out on the floor like it’s 1999.

Look who I found,  hanging out on the wall at "Munkabeans".

Look who I found,  hanging out on the wall at "Munkabeans".

Oh. The 20’s. 

My Point:

I was hanging out at the St. Paul Public Library, waiting for my P.O.S. car to get fixed [knock on wood: I luh you Black Betty!] and  found this badass book on writing Chick Lit titled,

“Will Write For Shoes,” By Cathy Yardley.

 

Right from the jump, she defines Chick Lit as a:

“...subgenre of a larger classification of women’s fiction. Generally “coming of age” or “coming of consciousness,” [p. 4].

I appreciate this definition;  “coming of conscious” carries a strong recognition – stepping into the person you are and somewhatkindof being comfortable with that.

I call this phase the “slow roll out,”  because this sh*t takes, what feels like, for-ev-er to fully manifest.

Personally, I’m not in the clear  100% of the time:  it’s more like 74.9%  [in school we would call this a standard, “C”].

Yardley goes on to explore, “Complex Subgenres & Cross Genres,” [Chapter 4]:

  • Rise of the Anti-heroine – Unsympathetic yet compelling character that stands out against cookie cutter ideas of previous genre standards.
  • Small Town, Chick Lit Style
  • Mommy Lit
  • Full Figured Chick Lit
  • Christian Chick Lit

The list in the book is exhaustive – I had no idea “Full Figured Chick Lit” was a thing!

To continue, the author gives a brief breakdown of the “Basics of Chick Lit” – elements that were regularly available in early [modern] works:

  • Urban Location
  • Glam Industries
  • Evil Boss / Cheating Lover
  • Drink Dates / Mr. Wrong

Think: "The Devil Wears Prada",  "Bridget Jones Diary," etc.

What I found helpful: Chapter 4 – Story Testing for Premise.

A list of questions one could ask in preparation for “pen to paper” time:

1.       Why do you want to write this book? What appeals to you about it?

2.       What makes it different from other books you’ve read or heard about?

3.       Who is your main character? [Or characters].

4.       What’s the story question? Why would a reader want to keep reading? What’s at stake?

5.       Do you have a vague idea how it ends?

6.       Message or theme you want to explore with this book?

7.       What do you want the reader to walk away with after reading this book?

Unfortunately, this is around the time I had to shut it down.

I got the call from my mechanic that "Black Betty" was ready to roll.

Mood Music: Dunes - Alabama Shakes

Working Hard? [Or Hardly Working]?

 

Five Watt Coffee

This project is a BEAST. Lord help me. Gah!

Like any good author, I have a healthy amount of research to do. [You’re killing me smalls!]

As you are aware, we are in the "information age," yada, yada – there are tons or resources available, namely, "the in-tah-netz" – to assist me on this journey. 

Personally, I’m partial to the  good ‘ol fashion public library, which is accessible in the form of 120 Minneapolis locations.

I think there are actually 14 – every suburb has one. I could Google for accuracy, but…meh.

Sidebar: Libraries are very nostalgic for me – I used to spend every summer at the East Side Library in Des Moines while I was in middle school; they had an awesome summer reading program for kids. This was also during the time I became fascinated with the occult.  “The Craft” was my favorite movie for a very long time. 

“Light as a Feather, Stiff as a Board.”

Anyway. I digress.

I love the [public] library. And Neve Campbell. 

One of the first things I did when creating this narrative, was come up with a general outline – this took quite a while to construct: What is the premise? Who are the characters? What are their back stories?  Major themes?

Was going to be plot driven? Or character driven?  < -- this is HUGE.

FYI: I’m LOOSELY basing this novel off of my real-life experience, dealing with, living with, crying with, drinking with and fighting with…roommates. Sounds simple enough, right?

I’m likely to get carried away with my imagination.

I have quite a bit to work with, here – I distinctly remember a number of “teachable moments” happening. This is what occurs when Craigslist is heavily involved in your roommate search.

I used a character outline, PDF here, to craft my ‘principle’ character[s]. I’ll get into more detailed information on how I did this, at a later time.

Names.

Appearance.

Likes.

Dislikes.

Fears.

Family Ties.

Boyfriends/Lovers/Friends/Husbands.

      Health Issues / General Issues.

Job/Career.

Overall Storyline [Goal].

I didn't fill out everything -- just what I needed at that moment to flesh these women out; make them feel more real. In fact, I would write the names of 2-3 people I know, near the top of each paper for inspiration. 

At this point, I needed to determine the narration mode.  I had a basic idea of how I wanted to write it, but I still wanted to explore other available options. 

I found the book, “Mastering Point of View” [2001] by Sherri Szeman – she goes into the mechanics of using varied perspectives when writing creative fiction. I know you all remember this stuff from school, but let’s recap for a minute: 

First Person: If there is an “I” or “we” telling the story, then a narrator is present, and the book is written in first person point of view.

Second Person:  If someone is directly addressed as “you” [and not in dialogue], the second-person point of view is being used.

Unlimited [third person]: If the author uses he, she, it or they and tells the reader everything in every character’s head and heart, then the novel is written in unlimited point of view.

Outer limited: The point of view is outer limited if the author uses grammatical third person but does not present an unlimited view of the characters, choosing instead to show only the external, observable behaviors and dialogue of all of his characters.

Inner limited: If the author shows the thoughts and feelings of one character as if she were in that character’s head, though still writing in the grammatical third person.

Combo: If the author is writing commercial fiction, especially suspense or crime mysteries, and uses unlimited point of view when focusing on the crime-fighting protagonist but uses inner limited point of view when focusing on the victim or criminals, then the author is using combo point of view. 

It gets a little more complicated when she starts discussing variations / matrixes of these POVs.

Szeman continues to expand on each POV, pros/cons, example authors and novels in subsequent chapters.

Looks like I have a few books to add to  my summer reading list:

The Sound and The Fury / As I lay Dying / Ulysses & Tropic of Cancer are at the top.

This is what I came up with ----

Given my chosen writing style [Character Driven], I thought it apropos to write the core narration in  Interior Monologue narrative, falling under the bridge of Stream of Consciousness + 1st Person narration, IN ADDITION TO Unlimited [third person] narration as secondary.

Does this sound right?

Ok.

Cool.

Kind of wishing I would’ve taken an English class [or two], because I’m like,

“Girl. Whut?

My brain hurts. 

Mood Music:  9 to 5 - Dolly Parton